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Luca Signorelli Madonna and Child with Saints and Angels Luca Signorelli Oil on hardboard transferred from panel, 155.7 x 135.6 cm Washington, National Gallery of Art
Date Mid or late 1510s
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Luca Signorelli The Holy Family with Saint between 1490(1490) and 1492(1492)
Medium oil on wood
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Luca Signorelli The Holy Family with Saint between 1490(1490) and 1492(1492)
Medium oil on wood
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Luca Signorelli Crucifixion 1504-1505
Medium tempera and oil on panel
Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in)
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Luca Signorelli Martyrdom of St Sebastian 1498(1498)
Medium oil on panel
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Luca Signorelli Madonna and Child Mid or late 1510s
Medium Oil on hardboard transferred from panel
Dimensions 155.7 x 135.6 cm
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Luca Signorelli Sant Onofrio Altarpiece 1484
Type Finger and paint by number
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Luca Signorelli Virgin Enthroned with Saints 1491
Type Tempera on panel
Dimensions 302 cm x 233 cm (119 in x 92 in)
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Luca Signorelli Marriage of the Virgin Oil on panel, 21.6 x 48 cm
Washington, National Gallery of Art
Date about 1490-1491
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Luca Signorelli
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Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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